J. Cassou, Picasso, Paris, 1954 (illustrated in color on the frontispiece). F. Elgar, Picasso, A Study of His Work, New York, 1956, p. 156 (illustrated; titled Nude with Modeller's Turntable). J. Berger, The Success and Failure of Picasso, New York, 1965, p. 158, fig.90 (illustrated in reverse; dated 1933). R. Penrose, Picasso, His Life and Work, Los Angeles, 1981, p. 264, no. 2 (illustrated). M.C. FitzGerald, Making Modernism, Picasso and the Creation of the Market for Twentieth Century Art, New York, 1995, p. 236 (illustrated on the front cover, opposite the title page and p. 236). M. Müller, Pablo Picasso and Marie-Thérèse Walter, Between Classicism and Surrealism, exh. cat., Graphikmuseum Pablo Picasso, Munster, 2004, p. 60 (illustrated). E. Mallén, La sintaxis de la carne: Pablo Picasso y Marie-Thérèse, Santiago, 2005, p. 283. J. Richardson, A Life of Picasso, The Triumphant Years 1917-1932, New York, 2007, p. 468 (illustrated, pp. 456 and 483). M.C. FitzGerald and E. Cowling, Picasso's Marie-Thérèse, exh. cat., Acquavella Galleries, Inc., New York, 2008, pp. 21 and 38 (illustrated, p. 21, fig. 7). The Picasso Project, ed., Picasso's Paintings, Drawings, Watercolors and Sculpture: Surrealism 1930-1936, San Francisco, 2009, p. 97, no. 32-027 (illustrated).